Macbeth - Noble Soldier to Bloody Tyrant Essay -- Macbeth essays

Macbeth - Noble Soldier to Bloody Tyrant The purpose of tragedy is to arouse in the audience emotions of fear or pity, and to produce a catharsis-a relieving cleansing-of these emotions. Macbeth is the most horrific of Shakespeares tragedies because the protagonist commits such bloodthirsty acts. Apart from on the battlefield, however, this brutality is not evident when we first meet the hero. General Macbeth is a man of military and political importance, the heroic Thane of Glamis and potential heir to the plenty of Scotland. By the end of the play he is an entirely different somebody than he was in the beginning. In the beginning he is a heroic, decent, and noble soldier, but by the end of the play he is a cover tyrant. A key ingredient in such a writing style is the tragicalal flaw, an idea that goes back to an influential work of literary objurgation called Poetics, by Aristotle. Aristotle said that the tragic hero should be someone of invest or importance with a tragic flaw, who suffers a switch of aim that eventually leads to his or her death. Aristotle also said that in the process, the tragic hero should experience recognition of this failure and that by the end of the work our moralistic sense should be satisfied that right or justice has prevailed. The tragic flaw is some weakness in character that is responsible for bodily process or inaction on the part of the tragic hero and leads to the reversal of the heros original intention. Therefore, the reversal of intention is the turning point in the tragic heros life when he or she experiences something that causes the tide to turn and previous triumph to turn to failure. The fourth soliloquy prepares us for the reversal, and the climactic... ...ere is room for debate approximately his courage and nobility, and whether or not we feel any pity or compassion for him. Our feelings at the end constitute the expected catharsis. Works Cited and Consulted Greenblatt, Stephen. entry to Macbeth. The Norton Shakespeare. New York Norton, 1997. 2555-63. Hawkins, Michael. History, politics, and Macbeth. Focus on Macbeth. Ed. John Russell Brown. London Routledge, 1982. 155-88. Kermode, Frank. Introduction to Macbeth. The riverbank Shakespeare. Boston Houghton, 1974. 1307-11. Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York Washington Press, 1992. Notes 1 papistic Polanski changes the ending in his film, when he has Donalbain visit the witches to determine his own plenty as the brother of the new King Malcolm.